249 bars of 4/4 at a walking 95 BPM, 10:29 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 67-73, 75-81 and 83-89, and 3 more places -- 16.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
18 fills to learn, played 32 times: bars 14, 18, 22, 50, 58, 62 and 26 more.
14 more fills are written out on the fills page.
249 bars across 16 sections: 139 keep time, 32 are fills, 60 are stops and 1 is silent. The longest unbroken stretch of time is bars 158-172.
95 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 57 out of 100; the rest of the number is everything around it.
249 bars, about 10:29 at the written tempo. The course breaks it into 63 exercises over 16 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
18 fills to learn, played 32 times: bars 14, 18, 22, 50, 58, 62 and 26 more.