68 bars of 4/4 at 138 BPM, about 1:57 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 11, 13 and 15, and 14 more places -- 25.8% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
3 fills to learn, played 6 times: bars 5, 6, 7, 24, 26 and 48.
68 bars across 9 sections: 41 keep time, 6 are fills, 12 are stops and 2 are silent. The longest unbroken stretch of time is bars 11-18.
138 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
44 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 27 out of 100; the rest of the number is everything around it.
68 bars, about 1:57 at the written tempo. The course breaks it into 27 exercises over 8 sittings, about 25 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 6 times: bars 5, 6, 7, 24, 26 and 48.