55 bars of 4/4 at a walking 100 BPM, 2:12 of playing, on crash, hi-hat, snare, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 2-8, 14-16 and 36 -- 20.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
4 fills to learn, played 7 times: bars 17, 21, 29, 33, 53, 54 and 1 more.
55 bars across 9 sections: 21 keep time, 7 are fills, 16 are stops and 2 are silent. The longest unbroken stretch of time is bars 2-8.
100 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 69 out of 100; the rest of the number is everything around it.
55 bars, about 2:12 at the written tempo. The course breaks it into 22 exercises over 8 sittings, about 23 minutes each.
crash, hi-hat, snare, kick and hi-hat foot. Nothing in the part asks for anything else.
4 fills to learn, played 7 times: bars 17, 21, 29, 33, 53, 54 and 1 more.