268 bars of 3/4 -- not four -- at 194 BPM, 4:38 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
50 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
kick and crashes through bar 1, silence through bars 2-22, kick and crashes through bars 23-25, silence through bars 26-28, kick and crashes through bars 29-32 and ride through bars 33-39, and 29 more changes after that.
The beat the song is built on is a 2-bar phrase, played through bars 53-58, 61-63 and 65-66, and 2 more places -- 9.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
53 54
1e+a2e+a3e+a4e+a 1e+a2e+a3e+a4e+a
CC |x---x---x---x---|x---x---x-----x-|
SD |----x-------x---|----x-------x---|
BD |x-------x-------|x-------x-x---x-|14 fills to learn, played 39 times: bars 4, 8, 12, 20, 28, 52 and 33 more.
It cuts the song into 45 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
194 BPM, in 3/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
50 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 43 out of 100; the rest of the number is everything around it.
268 bars, about 4:38 at the written tempo. The course breaks it into 45 exercises over 13 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 39 times: bars 4, 8, 12, 20, 28, 52 and 33 more.