268 bars of 3/4 -- not four -- at 194 BPM, 4:38 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 53-58, 61-63 and 65-66, and 2 more places -- 9.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
14 fills to learn, played 39 times: bars 4, 8, 12, 20, 28, 52 and 33 more.
10 more fills are written out on the fills page.
268 bars across 17 sections: 62 keep time, 39 are fills, 130 are stops and 29 are silent. The longest unbroken stretch of time is bars 33-51.
194 BPM, in 3/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
50 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 43 out of 100; the rest of the number is everything around it.
268 bars, about 4:38 at the written tempo. The course breaks it into 45 exercises over 13 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 39 times: bars 4, 8, 12, 20, 28, 52 and 33 more.