158 bars of 3/4 -- not four -- at 96 BPM, 5:53 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 23-25, 27-29 and 63, and 2 more places -- 7.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
17 fills to learn, played 52 times: bars 7, 8, 9, 10, 11, 15 and 46 more.
15 more fills are written out on the fills page.
158 bars across 16 sections: 82 keep time, 52 are fills and 4 are silent. The longest unbroken stretch of time is bars 131-144.
96 BPM, in 3/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
80 out of 100. Hard, and what makes it hard is how much of it falls off the beat. The beat itself is 65 out of 100; the rest of the number is everything around it.
158 bars, about 5:53 at the written tempo. The course breaks it into 71 exercises over 24 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
17 fills to learn, played 52 times: bars 7, 8, 9, 10, 11, 15 and 46 more.