168 bars of 4/4 at 135 BPM, about 4:59 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 34-38, 40-46 and 88-92, and 1 more place -- 16.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 18 times: bars 63, 67, 69, 73, 74, 87 and 12 more.
8 more fills are written out on the fills page.
168 bars across 19 sections: 110 keep time, 18 are fills, 3 are stops and 23 are silent. The longest unbroken stretch of time is bars 33-51.
135 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
66 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 53 out of 100; the rest of the number is everything around it.
168 bars, about 4:59 at the written tempo. The course breaks it into 47 exercises over 15 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 18 times: bars 63, 67, 69, 73, 74, 87 and 12 more.