58 bars, 3:19, at 70 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick and nothing else.
The beat the song is built on is one bar, played through bars 5-10 and 17-18 -- 14.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 15 times: bars 20, 24, 26, 28, 29, 42 and 9 more.
6 more fills are written out on the fills page.
58 bars across 9 sections: 31 keep time, 15 are fills, 1 is a stop and 4 are silent. The longest unbroken stretch of time is bars 5-10.
70 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
67 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 32 out of 100; the rest of the number is everything around it.
58 bars, about 3:19 at the written tempo. The course breaks it into 32 exercises over 10 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 15 times: bars 20, 24, 26, 28, 29, 42 and 9 more.