145 bars at 170 BPM -- fast, and 3:25 of it without a break -- on crash, hi-hat, snare, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 36-39, 42-45 and 54-59, and 4 more places -- 21.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 11 times: bars 8, 9, 16, 17, 34, 35 and 5 more.
1 more fill is written out on the fills page.
145 bars across 18 sections: 95 keep time, 11 are fills, 18 are stops and 4 are silent. The longest unbroken stretch of time is bars 36-45.
170 BPM, in 4/4, with the time kept in thirty-second notes. At that speed the thirty-second notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 48 out of 100; the rest of the number is everything around it.
145 bars, about 3:25 at the written tempo. The course breaks it into 40 exercises over 11 sittings, about 26 minutes each.
crash, hi-hat, snare, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 11 times: bars 8, 9, 16, 17, 34, 35 and 5 more.