36 bars of 4/4 at 135 BPM, about 1:03 of playing, on crash, ride, hi-hat, snare, high tom, mid tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 15-17 and 19-21 -- 17.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
4 fills to learn, played 5 times: bars 2, 4, 14, 28 and 30.
36 bars across 5 sections: 23 keep time, 5 are fills, 4 are stops and 1 is silent. The longest unbroken stretch of time is bars 5-10.
135 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
74 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 37 out of 100; the rest of the number is everything around it.
36 bars, about 1:03 at the written tempo. The course breaks it into 16 exercises over 5 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 5 times: bars 2, 4, 14, 28 and 30.