275 bars of 4/4 at 135 BPM, about 8:09 of playing, on crash, ride, hi-hat, snare, high tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 1-17, 19 and 21, and 22 more places -- 23.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 18 times: bars 49, 53, 57, 61, 65, 97 and 12 more.
4 more fills are written out on the fills page.
275 bars across 15 sections: 198 keep time, 18 are fills and 41 are silent. The longest unbroken stretch of time is bars 1-31.
135 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 36 out of 100; the rest of the number is everything around it.
275 bars, about 8:09 at the written tempo. The course breaks it into 50 exercises over 17 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 18 times: bars 49, 53, 57, 61, 65, 97 and 12 more.