144 bars of 4/4 at 150 BPM, about 3:50 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 18-19, 22-24 and 46-47, and 6 more places -- 14.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
14 fills to learn, played 41 times: bars 2, 3, 4, 5, 6, 7 and 35 more.
10 more fills are written out on the fills page.
144 bars across 13 sections: 79 keep time, 41 are fills and 8 are stops. The longest unbroken stretch of time is bars 18-24.
150 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
62 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 51 out of 100; the rest of the number is everything around it.
144 bars, about 3:50 at the written tempo. The course breaks it into 44 exercises over 12 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 41 times: bars 2, 3, 4, 5, 6, 7 and 35 more.