111 bars of 4/4 at 153 BPM, about 2:54 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 4, 10-12 and 19-24, and 7 more places -- 27% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
7 fills to learn, played 13 times: bars 8, 16, 28, 36, 44, 60 and 7 more.
3 more fills are written out on the fills page.
111 bars across 7 sections: 87 keep time, 13 are fills and 2 are stops. The longest unbroken stretch of time is bars 46-59.
153 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 35 out of 100; the rest of the number is everything around it.
111 bars, about 2:54 at the written tempo. The course breaks it into 27 exercises over 7 sittings, about 27 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 13 times: bars 8, 16, 28, 36, 44, 60 and 7 more.