93 bars of 4/4 at 144 BPM, about 2:35 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 13-19, 42-44 and 46-48, and 4 more places -- 24.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 28 times: bars 3, 4, 8, 12, 20, 21 and 22 more.
8 more fills are written out on the fills page.
93 bars across 10 sections: 44 keep time, 29 are fills and 12 are stops. The longest unbroken stretch of time is bars 14-19.
144 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
68 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 63 out of 100; the rest of the number is everything around it.
93 bars, about 2:35 at the written tempo. The course breaks it into 37 exercises over 11 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 28 times: bars 3, 4, 8, 12, 20, 21 and 22 more.