77 bars of 4/4 at a walking 100 BPM, 3:05 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 33-38 -- 9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
14 fills to learn, played 17 times: bars 16, 19, 20, 24, 28, 32 and 11 more.
10 more fills are written out on the fills page.
77 bars across 8 sections: 31 keep time, 17 are fills, 12 are stops and 10 are silent. The longest unbroken stretch of time is bars 34-38.
100 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
62 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 53 out of 100; the rest of the number is everything around it.
77 bars, about 3:05 at the written tempo. The course breaks it into 38 exercises over 12 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 17 times: bars 16, 19, 20, 24, 28, 32 and 11 more.