249 bars of 4/4 at 152 BPM, about 6:31 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 13-14, 17-19 and 26-27, and 13 more places -- 13.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
23 fills to learn, played 67 times: bars 12, 15, 16, 20, 24, 29 and 61 more.
19 more fills are written out on the fills page.
249 bars across 16 sections: 138 keep time, 67 are fills, 22 are stops and 1 is silent. The longest unbroken stretch of time is bars 167-182.
152 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 31 out of 100; the rest of the number is everything around it.
249 bars, about 6:31 at the written tempo. The course breaks it into 61 exercises over 16 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
23 fills to learn, played 67 times: bars 12, 15, 16, 20, 24, 29 and 61 more.