107 bars of 4/4 at 138 BPM, about 2:59 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 28-33, 52-57 and 75-89 -- 25.2% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
8 fills to learn, played 11 times: bars 20, 26, 34, 44, 50, 58 and 5 more.
4 more fills are written out on the fills page.
107 bars across 10 sections: 83 keep time, 11 are fills and 1 is a stop. The longest unbroken stretch of time is bars 1-19.
138 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 25 out of 100; the rest of the number is everything around it.
107 bars, about 2:59 at the written tempo. The course breaks it into 28 exercises over 9 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 11 times: bars 20, 26, 34, 44, 50, 58 and 5 more.