99 bars of 4/4 at a walking 80 BPM, 4:57 of playing, on crash, ride, hi-hat, snare, high tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 22-26, 42-46 and 68-70, and 1 more place -- 16.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
13 fills to learn, played 24 times: bars 4, 8, 21, 27, 29, 33 and 18 more.
9 more fills are written out on the fills page.
99 bars across 12 sections: 45 keep time, 24 are fills, 2 are stops and 15 are silent. The longest unbroken stretch of time is bars 34-40.
80 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 51 out of 100; the rest of the number is everything around it.
99 bars, about 4:57 at the written tempo. The course breaks it into 40 exercises over 10 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 24 times: bars 4, 8, 21, 27, 29, 33 and 18 more.