92 bars of 4/4 at a walking 98 BPM, 3:45 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 17, 21 and 39, and 10 more places -- 15.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
16 fills to learn, played 39 times: bars 1, 16, 18, 19, 20, 22 and 33 more.
12 more fills are written out on the fills page.
92 bars across 8 sections: 42 keep time, 39 are fills, 4 are stops and 1 is silent. The longest unbroken stretch of time is bars 6-15.
98 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 37 out of 100; the rest of the number is everything around it.
92 bars, about 3:45 at the written tempo. The course breaks it into 37 exercises over 11 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
16 fills to learn, played 39 times: bars 1, 16, 18, 19, 20, 22 and 33 more.