107 bars of 4/4 at a walking 105 BPM, 4:05 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 31-40, 58-67 and 76-85 -- 31.9% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
107 bars across 9 sections: 84 keep time and 13 are silent. The longest unbroken stretch of time is bars 9-25.
105 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
52 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 49 out of 100; the rest of the number is everything around it.
107 bars, about 4:05 at the written tempo. The course breaks it into 20 exercises over 6 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.