144 bars of 4/4 at 130 BPM, about 4:22 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 24-26, 28-30 and 32-34, and 11 more places -- 31.5% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
5 fills to learn, played 15 times: bars 23, 31, 39, 58, 66, 83 and 9 more.
1 more fill is written out on the fills page.
144 bars across 14 sections: 42 keep time, 16 are fills, 47 are stops and 33 are silent. The longest unbroken stretch of time is bars 68-74.
130 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 20 out of 100; the rest of the number is everything around it.
144 bars, about 4:22 at the written tempo. The course breaks it into 42 exercises over 13 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 15 times: bars 23, 31, 39, 58, 66, 83 and 9 more.