147 bars at 232 BPM -- fast, and 2:32 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 39-46, 111-118 and 127-133, and 1 more place -- 23.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 9 times: bars 4, 30, 38, 54, 62, 70 and 3 more.
3 more fills are written out on the fills page.
147 bars across 14 sections: 92 keep time, 9 are fills, 23 are stops and 13 are silent. The longest unbroken stretch of time is bars 95-109.
232 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 31 out of 100; the rest of the number is everything around it.
147 bars, about 2:32 at the written tempo. The course breaks it into 34 exercises over 9 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 9 times: bars 4, 30, 38, 54, 62, 70 and 3 more.