330 bars of 4/4 at a walking 90 BPM, 14:40 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 50-57, 59-60 and 62-65, and 9 more places -- 11.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
39 fills to learn, played 88 times: bars 4, 8, 12, 14, 15, 16 and 82 more.
35 more fills are written out on the fills page.
330 bars across 25 sections: 138 keep time, 88 are fills, 5 are stops and 68 are silent. The longest unbroken stretch of time is bars 51-60.
90 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 46 out of 100; the rest of the number is everything around it.
330 bars, about 14:40 at the written tempo. The course breaks it into 110 exercises over 29 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
39 fills to learn, played 88 times: bars 4, 8, 12, 14, 15, 16 and 82 more.