101 bars of 4/4 at 115 BPM, about 3:29 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 28-32, 34 and 57-59, and 5 more places -- 24.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 11 times: bars 9, 17, 35, 39, 45, 60 and 5 more.
6 more fills are written out on the fills page.
101 bars across 9 sections: 75 keep time, 11 are fills, 1 is a stop and 3 are silent. The longest unbroken stretch of time is bars 61-80.
115 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
74 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 49 out of 100; the rest of the number is everything around it.
101 bars, about 3:29 at the written tempo. The course breaks it into 30 exercises over 10 sittings, about 24 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 11 times: bars 9, 17, 35, 39, 45, 60 and 5 more.