154 bars of 4/4 at 135 BPM, about 4:34 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 30-31, 34-35 and 40, and 22 more places -- 19.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 9 times: bars 36, 37, 38, 39, 86, 92 and 3 more.
1 more fill is written out on the fills page.
154 bars across 10 sections: 124 keep time, 9 are fills, 8 are stops and 4 are silent. The longest unbroken stretch of time is bars 56-83.
135 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
44 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 36 out of 100; the rest of the number is everything around it.
154 bars, about 4:34 at the written tempo. The course breaks it into 39 exercises over 10 sittings, about 27 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 9 times: bars 36, 37, 38, 39, 86, 92 and 3 more.