125 bars of 4/4 at a walking 89 BPM, 5:36 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 22-24, 26-28 and 70-72, and 3 more places -- 14.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 13 times: bars 45, 57, 65, 67, 85, 89 and 7 more.
2 more fills are written out on the fills page.
130 bars across 12 sections: 95 keep time, 13 are fills, 2 are stops and 6 are silent. The longest unbroken stretch of time is bars 1-17.
89 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
68 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 76 out of 100; the rest of the number is everything around it.
125 bars, about 5:36 at the written tempo. The course breaks it into 44 exercises over 14 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 13 times: bars 45, 57, 65, 67, 85, 89 and 7 more.