88 bars of 3/4 -- not four -- at 100 BPM, 2:38 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 13-19, 31-37 and 39-45 -- 27.6% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
8 fills to learn, played 12 times: bars 20, 24, 28, 38, 46, 50 and 6 more.
4 more fills are written out on the fills page.
88 bars across 8 sections: 55 keep time, 12 are fills and 12 are silent. The longest unbroken stretch of time is bars 13-19.
100 BPM, in 3/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 59 out of 100; the rest of the number is everything around it.
88 bars, about 2:38 at the written tempo. The course breaks it into 27 exercises over 8 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 12 times: bars 20, 24, 28, 38, 46, 50 and 6 more.