101 bars of 4/4 at a walking 108 BPM, 3:44 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 5, 7-8 and 27, and 8 more places -- 18.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
21 fills to learn, played 37 times: bars 1, 2, 6, 11, 12, 13 and 31 more.
17 more fills are written out on the fills page.
101 bars across 15 sections: 32 keep time, 37 are fills and 14 are stops. The longest unbroken stretch of time is bars 48-51.
108 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 31 out of 100; the rest of the number is everything around it.
101 bars, about 3:44 at the written tempo. The course breaks it into 61 exercises over 16 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
21 fills to learn, played 37 times: bars 1, 2, 6, 11, 12, 13 and 31 more.