130 bars of 4/4 at 132 BPM, about 3:56 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 20, 24 and 34-36, and 20 more places -- 27.7% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
5 fills to learn, played 14 times: bars 1, 9, 33, 41, 47, 49 and 8 more.
1 more fill is written out on the fills page.
130 bars across 11 sections: 73 keep time, 14 are fills and 33 are stops. The longest unbroken stretch of time is bars 54-67.
132 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
45 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 22 out of 100; the rest of the number is everything around it.
130 bars, about 3:56 at the written tempo. The course breaks it into 36 exercises over 8 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 14 times: bars 1, 9, 33, 41, 47, 49 and 8 more.