138 bars of 4/4 at a walking 100 BPM, 5:31 of playing, on crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 6-7, 10 and 16, and 11 more places -- 12.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
17 fills to learn, played 22 times: bars 9, 25, 27, 29, 36, 37 and 16 more.
13 more fills are written out on the fills page.
138 bars across 16 sections: 92 keep time, 22 are fills, 2 are stops and 6 are silent. The longest unbroken stretch of time is bars 38-44.
100 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 26 out of 100; the rest of the number is everything around it.
138 bars, about 5:31 at the written tempo. The course breaks it into 57 exercises over 16 sittings, about 25 minutes each.
crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
17 fills to learn, played 22 times: bars 9, 25, 27, 29, 36, 37 and 16 more.