200 bars of 4/4 at 130 BPM, about 6:09 of playing, on crash, ride, hi-hat, snare, high tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 44, 47 and 49, and 31 more places -- 33.9% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
11 fills to learn, played 33 times: bars 5, 13, 21, 25, 29, 33 and 27 more.
7 more fills are written out on the fills page.
200 bars across 10 sections: 118 keep time, 34 are fills, 32 are stops and 8 are silent. The longest unbroken stretch of time is bars 134-145.
130 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 29 out of 100; the rest of the number is everything around it.
200 bars, about 6:09 at the written tempo. The course breaks it into 35 exercises over 10 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 33 times: bars 5, 13, 21, 25, 29, 33 and 27 more.