145 bars of 4/4 at 146 BPM, about 3:58 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 9-23, 57-59 and 65-67, and 2 more places -- 20.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11 fills to learn, played 28 times: bars 24, 48, 56, 60, 62, 64 and 22 more.
7 more fills are written out on the fills page.
145 bars across 16 sections: 90 keep time, 28 are fills, 2 are stops and 14 are silent. The longest unbroken stretch of time is bars 10-23.
146 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
48 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 47 out of 100; the rest of the number is everything around it.
145 bars, about 3:58 at the written tempo. The course breaks it into 43 exercises over 11 sittings, about 27 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 28 times: bars 24, 48, 56, 60, 62, 64 and 22 more.