125 bars of 6/4 -- not four -- at 184 BPM, 3:47 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 3-9 -- 8.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 34 times: bars 18, 19, 20, 21, 22, 24 and 28 more.
8 more fills are written out on the fills page.
125 bars across 11 sections: 32 keep time, 34 are fills, 11 are stops and 40 are silent. The longest unbroken stretch of time is bars 3-9.
184 BPM, in 6/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
45 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 18 out of 100; the rest of the number is everything around it.
125 bars, about 3:47 at the written tempo. The course breaks it into 40 exercises over 12 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 34 times: bars 18, 19, 20, 21, 22, 24 and 28 more.