272 bars of 4/4 at 140 BPM, about 7:20 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 51, 53-56 and 59, and 9 more places -- 9.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
33 fills to learn, played 117 times: bars 30, 31, 32, 38, 39, 40 and 111 more.
29 more fills are written out on the fills page.
272 bars across 23 sections: 76 keep time, 118 are fills, 44 are stops and 16 are silent. The longest unbroken stretch of time is bars 199-205.
140 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
52 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 53 out of 100; the rest of the number is everything around it.
272 bars, about 7:20 at the written tempo. The course breaks it into 102 exercises over 27 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
33 fills to learn, played 117 times: bars 30, 31, 32, 38, 39, 40 and 111 more.