108 bars of 4/4 at 125 BPM, about 3:26 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 17-19, 21 and 23-28, and 1 more place -- 15.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 16 times: bars 16, 30, 32, 54, 60, 61 and 10 more.
8 more fills are written out on the fills page.
108 bars across 15 sections: 42 keep time, 16 are fills, 33 are stops and 6 are silent. The longest unbroken stretch of time is bars 36-45.
125 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
46 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 15 out of 100; the rest of the number is everything around it.
108 bars, about 3:26 at the written tempo. The course breaks it into 45 exercises over 11 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 16 times: bars 16, 30, 32, 54, 60, 61 and 10 more.