140 bars at 180 BPM -- fast, and 3:07 of it without a break -- on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 3, 7 and 11, and 31 more places -- 29.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
25 fills to learn, played 51 times: bars 1, 2, 4, 5, 6, 8 and 45 more.
21 more fills are written out on the fills page.
140 bars across 8 sections: 46 keep time, 51 are fills, 30 are stops and 7 are silent. The longest unbroken stretch of time is bars 10-14.
180 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 29 out of 100; the rest of the number is everything around it.
140 bars, about 3:07 at the written tempo. The course breaks it into 47 exercises over 12 sittings, about 27 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
25 fills to learn, played 51 times: bars 1, 2, 4, 5, 6, 8 and 45 more.