234 bars of 4/4 at a walking 101 BPM, 9:15 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 43-49, 51-53 and 55, and 6 more places -- 16.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
20 fills to learn, played 48 times: bars 26, 34, 42, 50, 54, 56 and 42 more.
16 more fills are written out on the fills page.
234 bars across 21 sections: 101 keep time, 48 are fills, 52 are stops and 8 are silent. The longest unbroken stretch of time is bars 11-17.
101 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 47 out of 100; the rest of the number is everything around it.
234 bars, about 9:15 at the written tempo. The course breaks it into 62 exercises over 16 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
20 fills to learn, played 48 times: bars 26, 34, 42, 50, 54, 56 and 42 more.