89 bars, 4:43, at 75 BPM: slow enough that every note is exposed. Crash, hi-hat, snare, high tom, mid tom, floor tom and kick and nothing else.
The beat the song is built on is one bar, played through bars 25-27, 29-32 and 71-73, and 3 more places -- 30.6% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
12 fills to learn, played 13 times: bars 16, 24, 28, 35, 47, 51 and 7 more.
8 more fills are written out on the fills page.
89 bars across 10 sections: 54 keep time, 13 are fills and 17 are silent. The longest unbroken stretch of time is bars 36-46.
75 BPM, in 4/4, with the time kept in sixteenth notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
45 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 36 out of 100; the rest of the number is everything around it.
89 bars, about 4:43 at the written tempo. The course breaks it into 26 exercises over 6 sittings, about 27 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 13 times: bars 16, 24, 28, 35, 47, 51 and 7 more.