103 bars of 4/4 at 116 BPM, about 3:33 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 10-16 and 18-24 -- 14.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 9 times: bars 1, 25, 46, 47, 70, 79 and 3 more.
3 more fills are written out on the fills page.
103 bars across 15 sections: 76 keep time, 9 are fills and 5 are silent. The longest unbroken stretch of time is bars 87-101.
116 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 16 out of 100; the rest of the number is everything around it.
103 bars, about 3:33 at the written tempo. The course breaks it into 47 exercises over 14 sittings, about 25 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 9 times: bars 1, 25, 46, 47, 70, 79 and 3 more.