127 bars of 4/4 at 122 BPM, about 4:08 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 42-43, 71-75 and 105-106 -- 8.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 12 times: bars 1, 2, 3, 25, 37, 57 and 6 more.
3 more fills are written out on the fills page.
127 bars across 17 sections: 78 keep time, 12 are fills, 5 are stops and 16 are silent. The longest unbroken stretch of time is bars 29-36.
122 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 50 out of 100; the rest of the number is everything around it.
127 bars, about 4:08 at the written tempo. The course breaks it into 43 exercises over 13 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 12 times: bars 1, 2, 3, 25, 37, 57 and 6 more.