154 bars of 4/4 at 120 BPM, about 5:06 of playing, on crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 1, 3 and 5, and 3 more places -- 15.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 13 times: bars 7, 8, 9, 32, 36, 60 and 7 more.
3 more fills are written out on the fills page.
154 bars across 12 sections: 121 keep time, 13 are fills, 3 are stops and 1 is silent. The longest unbroken stretch of time is bars 101-119.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
52 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 39 out of 100; the rest of the number is everything around it.
154 bars, about 5:06 at the written tempo. The course breaks it into 47 exercises over 15 sittings, about 25 minutes each.
crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 13 times: bars 7, 8, 9, 32, 36, 60 and 7 more.