84 bars, 5:20, at 63 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot and nothing else.
The beat the song is built on is one bar, played through bars 9-15, 25-31 and 57-63 -- 25% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
15 fills to learn, played 27 times: bars 1, 2, 4, 8, 16, 18 and 21 more.
11 more fills are written out on the fills page.
84 bars across 13 sections: 42 keep time, 27 are fills and 1 is a stop. The longest unbroken stretch of time is bars 10-15.
63 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
76 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 57 out of 100; the rest of the number is everything around it.
84 bars, about 5:20 at the written tempo. The course breaks it into 36 exercises over 11 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
15 fills to learn, played 27 times: bars 1, 2, 4, 8, 16, 18 and 21 more.