155 bars of 4/4 at 118 BPM, about 5:14 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 3, 5 and 7, and 3 more places -- 17% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 12 times: bars 9, 10, 11, 34, 38, 55 and 6 more.
2 more fills are written out on the fills page.
155 bars across 14 sections: 120 keep time, 12 are fills, 3 are stops and 2 are silent. The longest unbroken stretch of time is bars 137-155.
118 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 39 out of 100; the rest of the number is everything around it.
155 bars, about 5:14 at the written tempo. The course breaks it into 47 exercises over 15 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 12 times: bars 9, 10, 11, 34, 38, 55 and 6 more.