155 bars of 4/4 at 150 BPM, about 4:05 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 2-4, 6-8 and 10-12, and 15 more places -- 34.6% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
6 fills to learn, played 11 times: bars 1, 25, 32, 33, 34, 59 and 5 more.
3 more fills are written out on the fills page.
155 bars across 12 sections: 125 keep time, 11 are fills, 2 are stops and 2 are silent. The longest unbroken stretch of time is bars 2-24.
150 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 42 out of 100; the rest of the number is everything around it.
155 bars, about 4:05 at the written tempo. The course breaks it into 31 exercises over 10 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 11 times: bars 1, 25, 32, 33, 34, 59 and 5 more.