322 bars of 3/4 -- not four -- at 95 BPM, 10:51 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 65-71, 73 and 75, and 7 more places -- 7.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
48 fills to learn, played 97 times: bars 8, 16, 20, 22, 24, 32 and 91 more.
44 more fills are written out on the fills page.
322 bars across 34 sections: 163 keep time, 97 are fills, 8 are stops and 14 are silent. The longest unbroken stretch of time is bars 66-79.
95 BPM, in 3/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
79 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 71 out of 100; the rest of the number is everything around it.
322 bars, about 10:51 at the written tempo. The course breaks it into 137 exercises over 46 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
48 fills to learn, played 97 times: bars 8, 16, 20, 22, 24, 32 and 91 more.