144 bars of 4/4 at a walking 98 BPM, 5:53 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 89-92, 101-116 and 129-132, and 1 more place -- 22% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
144 bars across 14 sections: 114 keep time and 17 are silent. The longest unbroken stretch of time is bars 89-119.
98 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
73 out of 100: demanding, mostly on how much of it falls off the beat. The beat itself is 87 out of 100; the rest of the number is everything around it.
144 bars, about 5:53 at the written tempo. The course breaks it into 35 exercises over 12 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.