216 bars at 180 BPM -- fast, and 4:44 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 10-16, 18-20 and 22-24, and 9 more places -- 24% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 16 times: bars 17, 25, 33, 52, 77, 85 and 10 more.
6 more fills are written out on the fills page.
221 bars across 21 sections: 161 keep time, 16 are fills, 16 are stops and 4 are silent. The longest unbroken stretch of time is bars 205-221.
180 BPM, in 4/4, with the time kept in thirty-second notes. At that speed the thirty-second notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 47 out of 100; the rest of the number is everything around it.
216 bars, about 4:44 at the written tempo. The course breaks it into 59 exercises over 17 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 16 times: bars 17, 25, 33, 52, 77, 85 and 10 more.