128 bars of 4/4 at 123 BPM, about 4:08 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 10, 36-48 and 68-70, and 3 more places -- 21.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 13 times: bars 17, 26, 29, 33, 49, 75 and 7 more.
2 more fills are written out on the fills page.
128 bars across 17 sections: 93 keep time, 13 are fills and 4 are stops. The longest unbroken stretch of time is bars 51-66.
123 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
45 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 29 out of 100; the rest of the number is everything around it.
128 bars, about 4:08 at the written tempo. The course breaks it into 43 exercises over 10 sittings, about 28 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 13 times: bars 17, 26, 29, 33, 49, 75 and 7 more.