170 bars of 4/4 at 140 BPM, about 4:32 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 73-74, 77-80 and 83-86, and 5 more places -- 16.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
16 fills to learn, played 44 times: bars 1, 3, 5, 7, 16, 17 and 38 more.
12 more fills are written out on the fills page.
170 bars across 14 sections: 99 keep time, 46 are fills and 6 are stops. The longest unbroken stretch of time is bars 114-129.
140 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
85 out of 100. Hard, and what makes it hard is how many notes a second it asks for. The beat itself is 63 out of 100; the rest of the number is everything around it.
170 bars, about 4:32 at the written tempo. The course breaks it into 60 exercises over 22 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
16 fills to learn, played 44 times: bars 1, 3, 5, 7, 16, 17 and 38 more.