124 bars of 4/4 at 130 BPM, about 3:48 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 31, 33-35 and 85-87, and 6 more places -- 11% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11 fills to learn, played 19 times: bars 1, 2, 6, 7, 8, 12 and 13 more.
9 more fills are written out on the fills page.
124 bars across 12 sections: 78 keep time, 19 are fills, 6 are stops and 6 are silent. The longest unbroken stretch of time is bars 99-124.
130 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
93 out of 100. Hard, and what makes it hard is how many notes a second it asks for. The beat itself is 100 out of 100; the rest of the number is everything around it.
124 bars, about 3:48 at the written tempo. The course breaks it into 52 exercises over 19 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 19 times: bars 1, 2, 6, 7, 8, 12 and 13 more.